Giovanni Papini offers an argument that the Divina Commedia, part of which is Inferno, may be defined as a retaliation and revenge (266). He gives a short background of Dantes humiliations; that the latter was forced to take second prescribe as he was born of an ancient family, had to content himself with the duties of a subordinate, became a victim of Boniface VIII despite of having wished for thoroughgoing(a) reform for the church and hoped to re-enter his native city that obstinately repulsed him (266). One literary theory is psychological criticism which deals with a call on of literature primarily as an expression, in fictional form, of the personality, sound out of consciousness, feelings, and desires of its germ... This theory requires [investigation of] the psychology of a character or an author to figure out the heart of a school text (although to don an authors psychology to a text groundwork also be considered biographical criticism...). (Appleman) Given t his idea, since the poet Dante experient downfall, it is indeed possible that through his Commedia, particularly the Inferno, he attacks those race who contributed to his mentioned downfall. Dorothy Sayers further adds to this argument in her mental home to her rendering of the Inferno: We cannot, of course, do without the historical approach alto countenanceher, for the rhyme is largely bear on with historical events.

Neither can we do altogether without the biographical approach, since the poem is so intimately concerned with the poets personal experiences. (19) Given Dantes background in the eldest paragraph, Papini says that in Dantes mind came the overpowering need of a exul ting recovery, of a revenge which should com! pensate for his [Dante] humiliations and delusions (266). Dante pass on judge from on high the kings and emperors...Inconspicuous, neglected sacrificed in the temporal social club of the world... [He] will declare his unmeasured... If you want to get a full essay, order it on our website:
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